Adams, Peter Netherlands

Peter Adams (Bladel, 1959) draagt de creativiteit van nature in zich.
Daar heeft hij op wat latere leeftijd een professionele kunstopleiding aan toegevoegd. Aan de Academie voor Schone Kunsten in Arendonk volgde hij eerst de opleiding tekenen en schilderen en daarna de opleidingen klassiek en figuratief boetseren. Hij studeerde cum laude af.

Altijd weer ligt aan zijn ruimtelijk werk de schets ten grondslag. Als die fundering ontbreekt, kun je het wel schudden in de optiek van Adams.
Maar zelfs de beste schets is slechts een beginpunt. Het eigenlijke werk moet dan nog beginnen: tot een beeld komen dat de kijker wezenlijk iets te zeggen heeft.
Om dit te bereiken houdt de kunstenaar vast aan de figuratie, een stijl van werken die volgens hem de laatste decennia teveel in het verdomhoekje is beland. Wel verklaarbaar overigens: te vaak bleef figuratief werken hangen in het namaken van de realiteit.
Terwijl het er juist om gaat die realiteit nieuw leven in te blazen.
Adams doet dat door de beweging centraal te stellen. Wie zijn sculpturen bekijkt, ziet altijd vloeiende lijnen - van onder naar boven, draaiend, diagonaal, steeds weer richtingen die elkaar overnemen.

Beelden vol leven.

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Baaij, Anita de Netherlands

Works in many techniques. She is mainly painter (acrylic / oil) and draws with chinese brush.
Her sculptures in wax, usually mythical horses, are later being casted by the bronze caster. By accident she found out, that she as if from nothing, from wax that is, could create a beautiful horsehead. For a year she kept on creating horses like that. A series of horses, with or without rider, came into being. She wanted to express the unity of rider and horse, but also the expression, the power of the horse.
Portraits of human and animal are made on request.
Her photos on dibond and/or acryl are shoots from up closewhich were enlarged. Thus making it hard to see what wat the subject was. One has to look using one's phantasy (as with her paintings). What one perceives as a chinese mountain landscape is in reality a piece of a beach with remainders of tar. Sometimes you think you see an underground river, but then it turns out to be a piece of tree bark.

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Boermans, Koos Netherlands

Education:
Nutsakademie Rotterdam and Rietveld- akademie Amsterdam.

Ceramist since the sixties of the last century.
Makes objects, installations and durable goods in ceramics. Very interested in work from the ancient past. The objects and installations often consist of assembled parts and sometimes contain other materials like wood and metal.
Themes are mostly universal: steles, memorial stones and outcomes of processes.
Used materials, techniques and methods show that the artist is of the now. His objects and installations are after unexpected rituals and ceremonies. Irony and humor bring on mysteriousness.

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Creutzer, Caroline Sweden

I am swedish, live in Berlin and exhibit on an international platform (Frankreich, Deutschland, Schweden und USA). Creating art is a challenge as well as a passion, joining my love for estetics, nature and humans. My strength is modeling stone, especially the white Carrara marble from Italy, but also schwedish granite, serpentine, travertin and alabaster. I also experiment with other materials. Today colourful collages are added to my sculptures and paintings. In my art I like to emphasize the soft and sensual female body with its curving forms, while using a distinctive cubist style. In this the beauty of sea waves inspires me.
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Derksen, Jenny Netherlands

After the art academy I have been a full-time professional artist since 2007.
My work can be seen in galleries and on fairs in the Netherlands and abroad.
I often also work on assignment. I make sculptures from clay to very large ones from polyester such as a seating element as a 16 meters long snake: an assignment in the public space for a park in city of Oss.
My sculptures are built up from a steel frame, upholstered with multiple layers of glass fiber mats and resin finished with 2-component laquer which is UV-resistant and frost proof so that my work can also be placed outdoors.

My inspiration?
All beauty lies in nature.
In the early awakening,
the sea,
in colors,
in the inifinite colors lives my inspiration.

Acquiring my art is not just obtaining a beautiful and unique sculpture, but also hundreds of hours of handwork, frustrations and moments of pure joy.
A beautiful object made with passion by myself to color the world a bit merrier.

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Duval, Maïté Netherlands

Special exhibition 'Ainsi-soit elle'

Sculpture garden Gerolstein exhibits up until October 1st the sculptures of the French-Dutch artist Maïté Duval. The large bronze women figures, intimate double portraits and studies are being exhibited for the first time since Maïté's passing away, on last November 2nd.

Maïté Duval (Renazé, 1944 - Zutphen, 2019) gained wide fame with a fully own oeuvre of robust form, movement and femininity. Her figurative sculptures can be found in publicly posessed art collections, is loved by collectors and are part of many museum collections. Ainsi Soit-elle (1992), which can now be seen in Gerolstein as well, is characteristic for her art: clear and warm forms, volumes of rest and serenity and yet at the same time a bronze skin in which an intense tension is held. This is a world filled with worldly femininity, full of beauty in an ordinary day to day manner - and therefore so special.

The title of the sculpture, Zoals zij is (Eng: As she is), is also the title of this postume honouring. Skulpturengarten Gerolstein exhibits with pride twelve large and fifteen smaller sculptures of this charming, but o so strong French-Dutch artist. As she was: in a continuous searching between self conscious female figures full of lust for life at the one hand, and reserved, almost fragile nudes and (double)portraits on the other.

Two wonderful examples of Maïté's vigorous work can be admired in the garden. In De Sprong (1987) (Eng: The jump) the roughly shaped chest, male stomach and the muscular upper legs lead to an explosion of dance and movement. The large size and the energy seem to sometimes lift her sculptures above life itself. Volupté (1999) is a true ode to vigorous femininity: an enormous, extatic goddess.

Arcade (2001), the first sculpture Maïté made after the death of her husband in 1999, marks the other side of her work. The sculpture bends, reaches, longs... The title refers not only to the bent pose of the body; it is like Maïté herself tried to build a bridge to her deceased partner. A distressing en daring work. The sculpture and double portraits which followed are melancholic and refer to motherhood, love and intimicy. Malade d'amour (2002), Verdriet (2007) and Aime-moi (2008) are moving witnesses of an all-consuming love.
br > In her last years Maïté returned to the liveliness of her earliers female figures, but more reserved, ripened. She experimented with abstraction and changing the patine of the bronze. Feu de Lune, in fact just the lower part of the body, brings with its playful title and pure, almost abstract form a multitude of associations with it: a matriarch, a standard woman, a playful lover, an artist who kept renewing herself.

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Erp, Ans van Netherlands

Dutch artist (Ceramics) from Balgoy near Nijmegen.

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Harleman, Tine Netherlands

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Kabel, George Netherlands

George Kabel (Aalst-Waalre - Netherlands, 1955) is sculpting since 20 years. He prefers the sculpting of hard stone types like Belgian hard stone, marble and French limestone. He models ceramic sculptures as well. Purely through his tactile sense he expresses the idea, emotion or feeling in material forms. He has more affinity with free, geometrical and organic forms. He is less concerned with the representation or contents of the sculpture, but more with form, which can be the right carrier of a certain mood or emotion.

Tension, dynamics, rythm, roughness, softness, cheerfulness.
He likes to have the spectator experience these elements of feel without interference of language or visual influences.

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Kloep, Beate Germany

In her glass-jewelry studio Beate creates unique glass jewelry at the glass burner. From Moretti or Effetre glass from Murano she makes her glassperls in individual forms and compositions.
Assignments and workshops are possible as well.

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Laar, Maria van der Netherlands

Maria was educated at the art academy of Arendonk, subject sculpture. She is associated to gallery K26 Oss NL and to gallery Apart&zo in Grave NL. Initiator and organizer of M-art pop up. Art mediation for Eeterij D'n Oven, in 't Oventje. Maria mainly creates sculptures and portraits after observation, in clay, wax or bronze, occasionally synthetic material. In her free work she is inspired by her direct environment: nature in the Maashorst reserve, Netherlands. Her style is expressive, so teachers and class mates say. She makes portraits which touch, which look at you as in an encounter. With striking resemblance, yet with an own expressive touch. She won the 2017 'Oog voor Oss' art competition with sculpture 'portret van Eric'. She also made a sculpture portraying King Willem-Alexander, which is now placed in the city hall of Oss NL.
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Lebesque, Bart Netherlands

Bart Lebesque (1983) is an autodidactical metal artist. In his work Bart wants to make the connection between earth and the cosmos. In doing so he works entirely by feel. His metal art is in harmony with trees and plants, life outdoors and the people who enjoy it. He uses unique 'waste material' of stainless steel or corten steel and employs special techniques and metalworking. He has a studio with sculpture garden in Uden the Netherlands.
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Lemmens, Wim Netherlands

Visual artist (painter and sculptor) born 08/29/1947 in Tilburg, the Netherlands.

In 1976 Wim received his education in the Netherlands at the St. Joost Academy in Breda specialized in painting art and monumental design.
Over the years Wim's work acquired a distinctive style.
Wim: "For the making of my sculptures I prefer the natural materials like granite, hard stone, marble, wood and metal. These natural materials are best suited to reach the 'natural' impact I have in mind when making a sculpture."
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Knoben, Loes Netherlands

The bronze sculptures by Loes Knoben -van Herwaarden (1956) show expression, movement and tension.

Loes' works of art reflect her view on life and show her talent to observe people and to fathom their feelings.

This strongly developed intuition can be recognized in her sculptures. In her work natural materials are the starting point. Always she is in search of wood, branches and bark, weathered by rain and wind. In these she searches for power, rhythm and balance. Starting from these properties she starts a discovery journey which ends in her sculpture's final form.


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Geurts, Rietje Netherlands

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Linden, Ton van der Netherlands

Ton van der Linden, autodidact, geboren 1956 te Amsterdam, tegenwoordig wonend in Eemnes, Nederland

Mijn beelden zijn figuratief en vaak verhalend.
De interactie tussen mensen en/of dieren onderling en hun verhouding tot de ruimte, hun beweging, hun non-verbale communicatie- zij vormen voor mij een onuitputtelijke bron van schoonheid en inspiratie.
Een koe is dan niet zomaar een koe, maar dartelt met klotsende uiers de wei in na een lange winter op stal te hebben gestaan. De beweging vertelt een verhaal en roept een emotie op.
Ik wil dat mijn beelden liefdevol, krachtig en dynamisch zijn. Ik wil de trefzekerheid en directheid van een vlotte schets in brons gestold terugzien. Het verhaal en de liefde die ik in mijn beelden leg hoop ik zo krachtig over te dragen.

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Lomme, Marianne Netherlands

For Marianne Lomme the creation of ceramics is an inspiring means to process her impressions as teacher 'artistic education'. Ceramics trainings received from several national and international ceramists have refined her work further. She comments on that: 'With the sun as guide I explore the universe, full of colorful tableaux vivants and unfinished still lives. With ceramics, paint and wax I create my own adventure and choose the ultimate challenge'. The objects of this ceramist build up from several operations in clay. Fitted with engobes, oxides, glazing and natural materials a work is burnt multiple times in different ovens. During this process the open fire finds its own way and determines... which in the end delivers gorgeous results. Her signature and themes can be clearly recognized from her objects. She exhibits her work in the Netherlands, Germany and Belgium.
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Mannaerts, Roos Netherlands

Ceramics & Bronze Sculptures

Het werk van Roos Mannaerts vertoont verwantschap met de Grieks-Romeinse traditie. In haar manier van werken laat zij realiteit en verbeelding versmelten.

Zij keert terug naar een harmonie van lijnen en vormen. Vormen die mediterrane beschavingen steeds hebben voorgehouden; een terugkeer naar intimiteit.

Het zoeken naar eenvoud resulteert in plastische koppen of figuren die stilistisch elegant blijven. Heel wat afwisseling zoekt zij ook in haar verscheidenheid in patina. Elk beeld krijgt een aparte behandeling van de patineerster.

Haar vrije portretten staren met een blik op oneindig en vertonen een poëtisch rijke directheid.

Een vleugje fantasie kenmerkt eveneens haar hele oeuvre.


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Meijerink, Noortje Netherlands

"Birds in all their freedom, gracefully gliding through the sky or proudly strutting on the ground. To capture those motions is my challenge."

As a ceramist I fell in love with porcelain. I prefer the craftsmanship of the throwing wheel and the precision of the sgraffito technique. Thrown porcelain pots are covered with a black engobe in which geometrical shapes or birds are scratched. After graduating in silver clay in the United States in 2003, some of the birds on my pots receive a silver wing. The combining of these two forms of "clay" is a technical challenge that's more than worth the effort. The result is a graceful combination of matte black, bright white porcelain and lustrously shining silver. Currently my birds are becoming more and more figurative. The hand-formed porcelain bodies and heads are getting tails, necks and legs made of bronze clay or copper clay. The rich yellow hue of the bronze or the warm red of copper lend themselves perfectly to complete my proud porcelain birds.

"Oh, to be a bird; fragile yet firm..."

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Milort, Liesbet Netherlands

Dutch artist

Every artist has an own story. The story of Liesbet Milort starts in 1984 on the art academy Minerva in Groningen the Netherlands. She graduates in 1989 and subsequently settles down in Amsterdam as a scultor. The work of Milort is about the theme 'Portraits from Holland'. Portraits of typical Dutch animals.

Liesbet paints realistic portraits of birds and animals indigenous to the Netherlands, usually in undefined surroundings. The choice for 'Dutch animals' sprouts from a fascination for the ordinary, the familiar. The beauty of a songbird, the calm radiated by a ruminating cow, the intractability of a sheep. Her compositions typify by a warm radiation and near photorealistic use of colour. Colourways of gold, silver or copper give the composition a rich, unique radiation and forms Liesbet's 'signature'.

Sculptures from resin.
Liesbet also creates sculptures of animals, made from ivory white resin. Her sculptures stand out through small deviations from reality. Ears are usually enlarged. This emphasizes vulnerability. Some sculptures are painted (in part). For the pedestals of the sculptures she chooses for waste wood which is sometimes also used to create the sculpture itself. These wooden sculptures are typically large and remind of skeletons.

Inside out. That's how my world continues to grow, in clay, paint, wood and gold.

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Mol, Geralda Netherlands

Mosaic art from Geralda Mol

Geralda Mol lives in 'Nieuwerkerk aan den IJssel' in the Netherlands and has her studio Artifex Talpa in Rotterdam.
Her fascination for mosaics started after a visit to Barcelona, where she learned about the work of Antoni Gaudí. She now makes mosaic art for already a number of years and also works on assignment.
At the beginning she started with making small mosaic objects (dishes, bird houses, bird baths etc.) after which the focus became on gradually larger objects (tables, company logo's, mirrors, 3D-objects such as cows and torso's). A phone call from an automobile company made her artistic dream of mosaicing a really large object, a car, come true. Next a second large big project followed, namely a large concrete couch for the exterior, mosaiced in 'natural' colors: green (grass, trees) and blue/aqua (air, water).
Geralda finds it important to work with materials and colors which fit an object causing the 'mosaiced' object to fully come into its own in 'its' targeted surroundings. All material, tiles, glass, porcelain, is cut, carved, grinded, polished and filed manually and placed onto the object with precision. The result: a passionately made work of art.


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Oberdorf, Dieter Germany

Personal development is dependent on active discussion with the inner self and one's environment, which is an important experience for me. What sparked my quest was the sentence I would be unable to sympathize with my environment. The discussion with my inner self brought me the insight that the different energies of man/woman, sun/moon and Yin/Yang etc. are central elements for a deeper understanding of us humans. To understand these energy worlds and to connect them together brought me Harmony, Empathy and much positive life energy. As an artist I transform these experiences into esthetic sculptures. 'Sense the form and understand yourself'. In this way my objects can set free intensive emotions, and cause a positive life experience and trust with the observer.
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Ombre, Cosmo Nederland

Cosmo Ombre, was born in 1947 in Paramaribo, Surinam. He studied at the Rietveld Academy in Amsterdam as graphical designer.

He discovered glass as a medium to express himself quite by accident. His knowledge on the handling of glass, the modelling and forming of it, was acquired and developed by taking part in several courses, trainings and workshops. He studied in this manner a.o. with: Tetterode Glas Design Amsterdam, SiO2, Detlef Tans etc.

Since 2007 he has an own glass studio. In this studio he makes and exhibits his work but also gives training in the form of workshops.

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Penning, John Netherlands

John Penning (30-05-1961) I am an autodidact and since 2012 creating sculptures of iron and stainless steel in all sorts of forms and sizes. I use several different techniques. Every artwork is unique and can be placed indoors as well as outdoors. I intensely search for new themes to keep on making work out of recycled RVS and iron, but from new materials as well like from weathering steel. Recently I started modelling, trying to find my own way in that. It is also possible to come to me with an idea and to start a nice project together.

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Pesch, Karl-Heinz Germany

Karl-Heinz Pesch is originally educated as 'Industriekaufmann', but in the end became a furniture maker and a maker of other utensils, next to wood also using iron as material. Gradually more and more decorative and art objects were made and asked for and by now also creating his own free art Karl-Heinz became the artist he is today.

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Reuser, Nol Netherlands

Artist since 1985. Winner of the publics prize "Kunstenaar van het jaar (Artist of the year)", chosen from over 1000 artists from the Netherlands. Participant to the "Nationale Kunstdagen (National Art days)" and "the Colorfield Performance" under guidance of Dirk Hakze regarding "Leeuwarden Culturele Hoofdstad van Europa". Expositions throughout Europe and "Invite d'honneur" to the festival "Rendez-Vous de Saint Loup" as well as member of the associated jury "Le Jury International". Works were shown in several Musea ( a.o. "Museum Jan Cunen" in Oss and "Coda Museum" in Apeldoorn, etc. ) and a.o. gallery "de Overvloed" in Oss, "Sous Terre" in Lithoijen etcetra. Own studio at home.

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Schmitten, Tilman Germany

I work with an open fire and use old standard forging techniques.
The fascination from being able to work with all 4 elements (water, Fire, earth, air) at the same time, gives me a wide spectrum for realising my fantasies.
I get much inspiration from nature and the underwater world. Through forging the in itself cool material can be formed such, that liveliness and movement is created. I find it an extra charm to assemble steel with other materials (stone, pelt, wood, rubber etc.) into collages and plastic arts.

Member of the BBK-Düsseldorf since 2007


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Scholz, Winfried Netherlands, Amsterdam

Motion is a central theme in my artwork.

I am fascinated by the way emotion is controlling human behavior and how this is reflected in apparent movement of the human body.

My sculptures of human bodies are evoking a sense of persons that really could exist. They implement an obvious reality and show strong outward and inward motion. These sculptures I preferably realise in naturally grown material, which came to be mainly wood in the past years. While well known sculpturing techniques make it easy to approach my work I also mix it with estranging forms of expression. On second glance they can make obvious observations shift and in shifting reveal the layering of my stories.

My kinetic installations show another fascinating understanding of motion: prolonged repetition of mechanical movement patterns can evoke the idea of certain spirits of a device. Of course it all starts with the idea of the existence of pure beauty a mechanical movement can possess. But the human eye is conditioned to combine and interprete observations with existing images and preconceptions. By doing so fantasy is triggered to run free and to construct a story of its own. In my design I play with elements such as recognition and alienation to support this process. By that I aim to provide my kinetic installations with credible illusions of meaningful characteristics.
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Stelling, Susann Sweden

I am Swedish. My basic concept - everything different and unique! In search of the special, the un- usual, which I did not find, I decided to create it myself. I learned to weld. I make tables, art, objects for home and garden, and also jewelry. I let nature and body inspire me with its beauty. I search, dream, design, and experience fulfillment with love, passion and fun for details. With each piece I want to pass on part of this joy. I bend and shape iron with hand strength, weld and grind. Take orders for personal and individual custom made. It may be humorous, funny, and original.
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Welten, Ellen Netherlands

Bronze

At a very early age Ellen was struck by the strength of bronze. When she studied at the Academy of Arts in Tilburg (Netherlands) working with bronze became her specialty. During that time she got her inspiration from sculptures by other artists such as Arthur Spronken.

As a result of Ellen's activity in horseback riding, initially dressage and presently western riding, the horse has become a great source of inspiration. Through riding them she can feel the enormous power of these animals and wants to express that power in her sculptures. She always finishes her sculptures herself and especially through the patination, the colouring, she can add another dimension to it.

Glass

Ellen's latest work consists of glass vases and slim figures.

The glass is oven melted glass and therefore not created by blowing or fusing. This technique is very laborious.
First a model is sculpted in sculpting wax. A special mould is created around this model which will be melted out of it. This mould and pieces of special glass will go into the oven with a specific programme for glass.
The programme can take up to several weeks, depending on the measurements of the sculpture. Several sculptures will get extra lighting, which is done by LED-lights.

Working with glass offers a whole new challenge. In it she looks for the boundaries of what is possible in form and colour. Glass is not always as willing as bronze and it definitely has qualities that binds working with it to certain rules. But this is what makes glass an exiting material to work with and gives an extra feeling of fulfillment when a work of art lives up to its expectations when it comes out of the oven.
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Welten, Ruud Netherlands

Ruud Welten creates websites and is photgrapher. He had his photography education in Rotterdam at the 'Akademie voor fotografie'. At first he just wanted to make better photos for the websites he was creating. But soon after he started to get assignments for photography of products. From that experience the desire grew to make beautiful creative photos. Often of popular objects of photomaking but with a different approach. He accomplishes that by taking the photos from an unexpected angle, with an unexpected composition or by just showing an enlarged part. This renders the object an entirely different atmosphere such as for example with the picture of Ayers Rock in Australia.

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Welten, Wietske Netherlands

Wietske Welten started her sculpturing study in 2007 at the "Academie voor Schone Kunsten" in Antwerp and graduated in 2011.
When she came into contact with the material glass for the first time during a workshop in 2007 she was immediately enchanted. Because Wietske wanted to specialize in glass she started a part time study "Vormgever van Warm glas (Modeler of hot glass) in 2010 at Syntra West in Brugge (B). This education focuses on oven-shaped glass like fusing, form-melting and pâte de verre.
Since Wietske started her work studio (Atelier Louise) in Den Bosch (NL) she mainly experimented with the different techniques within fusing. The so-called 'drop out' is her favorite. The combination of glass and metal keeps fascinating her. She wishes to approach the acquired techniques in new ways and she does this by adding metal to her art as well as in her jewelry.
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Willems, Till Netherlands

Drawings are normally made using pencil, chalk or paint-brush and East-Indian ink. A 'normal' drawing is always flat. But not so in the work of Till Willems from Lithoijen the Netherlands : She draws using metal wire. Her spatial drawings are made from several carefully chosen diameters of wire. The spatial line play surprises the spectator again and again. The 'drawing' seems to emerge from the wall and looks different from every angle. Shadows play an important role: they form new drawings on wall and floor. Animals are Till's favourite subject. The powerful bull, tumbling swallows, the spotted woodpecker with his red crest and playful portraits of dogs; Till strives to capture their essence with as few means as possible.
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Willms, Stefanie Germany

Als Autodidaktin entstanden ab 1993 erste Holzarbeiten. 1997 die erste Ausstellung mit Arbeiten in Vollplastik, auch Stelen u. Außenskulpturen, immer coloriert und aus heimischen Hölzern wie Linde, Pappel, Eiche, auch Abschnitte von Fichte-Leimbinderbalken.
Die Thematik "Starke Frauen" hat sich gehalten. Von der mystisch erd-verbundenen Göttin, Erdmutter u. Hüterin bis zur "starken Frau" von heute, die in Pose u. Mimik von Standfestigkeit, Energie u. Stärke zeugt, bezugnehmend auf ihre Ursprünge u. Wurzeln.

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Zuidhoek, Svanhilde Netherlands

Svanhilde Zuidhoek portrays feelings.

What's in the heart does not sour, Svanhilde seems to think...

An arsenal on vocational training in art provide ongoing and fundamental nourishment to her perception, ambition and creativity.

You notice that already in the first contact. Her unremitting involvement is a unique and artistic experience in itself during a visit to her studio.
Sensitive as she is she can pick up on the feelings of others and give those a warm-hearted place in her inner being.
She has the sensory ability to take what fascinates her, to contemplate and dream about it and to then use her inner images as model and preview to begin sculpting.

In her free work she is inspired by the attraction of movement. She likes what adorns people and finds this for example in models from sports, dance or circus. In direct contact with her inner self, her hands form the characteristics of her sculpture model. Of course some posing sessions will follow for the details.

The result then turns out to be a unique solidification of the experience of a moment in time with an exceptionally striking resemblance. A connection from illusion to three-dimensional reality... a tear, her own experience of the new creation. For you as a client, the certainty that once again a loved one has been portrayed with good feeling!

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